Overall, I find the interface very straightforward to work with. You also get spectral shaping, frequency shifter, Magic knob (which gives you control over subtle randomization of specific internal parameters), waveform view with loop section, on-screen tool tips, and more. Granulizer 2 features an updated interface, a new high-quality granular engine with unprecedented control, grain warping module, Grain FX module, diffusion delay, custom-built presets, and a new, “dark” theme you can chill out to. With a versatile DSP engine, you can achieve all kinds of sounds, be it metallic, fuzzy, grainy, smooth, wide, or even chaotic, depending on what you’re going for. Inertia Sound Systems’ Granulizer 2 is a granular synthesis soft synth that was designed with creative sound design in mind. Yes, this thing is feature packed! As result, it’s a rather obvious choice for our best premium selection. There’s also a four-band parametric EQ for each sample pad, mini preset browser with presets for FX and envelopes, MIDI-learn, two independent LFOs per sample slot (32 total), three GUI controllers, loop section, arpeggiator, drumkit mode and sample mode, and a whole lot more. You also get an optional anti-alias free sample mode and ultra-high mode, undo / redo function, graphical real-time display of waveforms, editable envelopes (amp, filter, pitch, ModEnv), envelopes syncable to BPM, insert FX with 17 effect types, as well as drag and drop to arrange insert FX. Phalanx features over 3,000 sounds created by Manuel Schleis of Vengeance Sound, a library browser, 32 stereo sample slots in 16 channels (with channel routable to up to 16 outputs), 128 voices (up to 16 times polyphony per pad), 12 types of filters (each with 6 dB, 12 dB, and 24 dB), as well as poly portamento and legato portamento. Keys Magazine thought it was excellent, Computer Music found it powerful and flexible, and Beat Magazine loved its intuitive workflow. Vengeance Sound’s Phalanx is a drum and synth sampler, featuring over 6,000 sounds and samples. But if you want access to those classic 80s sounds, you will find CMI V to be well worth it regardless. That said, not everyone will require a synthesizer (especially if you’ve already got you favorites installed on your hard drive). We have it as our best overall option because of the quality of the plugin as well as its versatility. So, in total, you’re getting a MIDI keyboard compatible software synth, 600 presets (from the original CMI library), 360 Arturia presets, preset browser, 10 tracks with a polyphony of up to 32 per track, analog filter response emulation, sampling and additive synthesis, variable bit depth and sample rate, spectral synthesis, “page-R” inspired 32-step sequencer, 24 sources of modulations per track, and more.Īs the video below demonstrates, this sampler is a ton of fun to mess around with. The CMI was used lovingly on innumerable hits you’re sure to recognize – “Rockit,” “Sledgehammer,” “Owner of a Lonely Heart,” “Relax,” “View to a Kill,” and a great deal more. In addition to the sampling engine, there’s an additive synthesis engine, and over 300 presets designed by Arturia sound designers.ĬMI V gives you countless ways of shaping sounds – you can load up a sample from the included library, load in your own, create a start and end point for your loops, modify the resolution, resynthesize the sample, create custom envelopes, change the sine waves, add multiple custom modulators, and a whole lot more. Each of these instruments can generate sound in three different ways. They can all be mixed, layered, split, and sequenced. To be honest, I’m pretty sure they don’t want me to say “recreation” with the lengths they went to emulate every detail of the original, but let’s not get too carried away by the hype.Īnyway, 80s keyboardists were drawn to the Fairlight CMI like a moth to a flame, begging, borrowing, and stealing (not literally) just to acquire their own ultra-futuristic digital sampling workstation.ĬMI V lets you work with up to 10 digital instruments of your choice simultaneously. Arturia’s CMI V is a recreation of the first digital sampling system ever created (Fairlight CMI).
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